South African artist Marlene Dumas is widely regarded amongst the African continent’s most beloved painters. Whilst her works have formed from various media throughout her career, Dumas is perhaps best known for her use of human figures to portray her point of view on contemporary issues such as race and sexuality. Her works of art have been displayed around the globe, inspiring millions of fans of art enthusiasts with her moving creations. Tunde Folawiyo and other collectors of African art may regard the works of Marlene Dumas to be amongst the most significant of the era.
Born in 1953 in the South African city of Cape Town, Marlene Dumas studied painting at Michaelis School of Fine Art in the early part of the 1970s. During this decade, the artist found herself fascinated by the photos of famed photographer Diana Arbus, who proved to be a great inspiration in Dumas’s representations of the human form. The late 1970s saw Dumas travel to Amsterdam to attend the distinguished institute de Ateliers. It was during these years that Dumas formed her own unique art style, combining media such as photographs, drawings and texts to create her works. In the years following, the artist began portraying figures and heads using photographs from the archives of a variety of personal snapshots, many torn from newspapers and magazines.
The artist’s first show of entirely paintings was comprised of nine portraits and took place at a gallery in Amsterdam during 1985. A decade later, she was chosen to represent the Netherlands at Venice’s 46th Biennale. Her first solo exhibition premiered at New Museum during 2002. During June of 2008, Dumas’s career received a significant boost in fanfare with a major exhibition at Los Angeles’s foremost contemporary art museum. The retrospective, “Measuring Your Own Grave” was widely received, later moving to New York’s Museum of Modern Art. That same year, galleries in Cape Town and Johannesburg showcased her solo exhibitions, marking a first for her homeland. Tate Modern museum, Beyeler Foundation and Stedelijk Museum are currently organising a retrospective of Dumas’s works, set to premiere in Amsterdam during September of 2014. Tunde Folawiyo and others with an appreciation for African art regard the works of Dumas as groundbreaking. Her paintings will continue to delight revelers in galleries and museums all over the globe for centuries to come.